There is an amazing amount of fantastic music in Oshkosh. This compilation targets a sample of original and important songs from the alternative / punk rock / experimental scene. This release is designed to both celebrate for those who know and introduce to those who need to know.
Digitally released on November 22nd!
find it now on your favorite platforms
Limited Vinyl Pressing (300 copies)
Released on Friday, December 13th!
Available now at Eroding Winds and Can Can shops in Oshkosh or order now online
Side A
1. The Present Age “Always Turn It on Its Head” from their album Radio Static Intelligible
2. Smoke Free Home “Firebug”
3. Bird Talk “Car Song”
4. Son Reis Project “Three Chord Pop Song” from their album SRP
5. China Ferrari Sex Orgy Death Cult “L.C.T.S.” from their album Energetic and Ambitious
Side B
1. Shoobie “Some Nylon Thread” from their album What’s Left?
2. Quiver the Busker “Enter Chorus” alternative version from their Hard to Look at EP
3. Snail Tooth “Upgrayedd”
4. Generation Why “Slave to All”
5. Peanut Butter Music “Little Black Plastic Bag”
Release Description:
“Oshkomp” is a bold, genre-blending compilation by Tsurumi Records that brings together a diverse lineup of artists from the heart of the underground music scene in Oshkosh. This collection embodies the raw energy, experimentation, and individualism of these artists, each track pushing sonic boundaries and challenging genre conventions. Featuring tracks that range from post-punk art rock to experimental folk punk, “Oshkomp” captures the unique voices of its contributors, creating an auditory collage that reflects the spirit and ingenuity of Oshkosh’s musical underground. With influences spanning punk, jazz, krautrock, and beyond, each song on “Oshkomp” is a distinct and immersive experience, packed with memorable moments, evocative lyrics, and dynamic instrumentation.
Sources of the selections are directly attributed to live performances at the Reptile Palace, Jambalaya Arts, New Moon Café, Eroding Winds, Cranky Pat’s, Mile of Music, and Tuesday nights at the Dead Horse Saloon
- “Always Turn It On Its Head” – The Present Age
A rebellious anthem that channels a post-punk spirit with krautrock and jazz influences. The song emerged spontaneously from a jam session, embodying the band’s philosophy to approach songwriting with intentionality, aiming for unique, vivid moments. Its lyrics urge listeners to “turn it on its head,” critiquing conformity and ego in a world of corporate, social, and religious pressures. - “Firebug” – Smoke Free Home
An electrifying, narrative-driven track about a young man with a passion for flames, “Firebug” taps into chaotic, high-energy vibes. Inspired by characters like Sebastian Murphy’s offbeat protagonists, the song invites movement and chaos with a tension-driven bass line that mirrors the growing blaze in Jimmy’s story, making it both an intense and incendiary listen. - “Car Song” – Bird Talk
Blending metaphor and humor, “Car Song” is a whirlwind ride through surreal imagery and car-culture musings. Packed with nostalgia and absurdity, it’s a conceptual journey featuring classic tracks and quirky adventures, all woven into a metaphor-laden, beat-poet-inspired exploration of recklessness and free-spirited rebellion. - “Three Chord Pop Tune” – Son Reis Project
A heavy, sludgy dirge for the stoner-metal enthusiasts, “Three Chord Pop Tune” brings an intense blend of rage-filled energy and slow-burn jazz-metal grooves. Featuring thick, crawling riffs, this track pushes boundaries by fusing Son Reis Project’s intense jazz roots with a dark, deliberate pace. - “L.C.T.S.” – China Ferrari Sex Orgy Death Cult
Raw and unapologetic, “L.C.T.S.” is a brutal take on personal destruction and antisocial pride. Written in under a minute, it captures the visceral rush of being terrible with zero remorse, embracing a dark space and exuding hardcore energy that’s both exhilarating and unapologetically defiant. - “Some Nylon Thread” – Shoobie
With hypnotic lyrics and a wall of sound, “Some Nylon Thread” dives into themes of alienation and existential dread. Shoobie’s raw, atmospheric sound combines alt-rock with punk and shoegaze influences, delivering an intense, loud experience designed to be played at maximum volume. - “Enter Chorus” – Quiver the Busker
Reflecting on fleeting connections and the cathartic power of music, “Enter Chorus” embodies the folk-punk tradition of community singalongs and raw self-reflection. It’s a bittersweet anthem for anyone who’s felt both empowered and devastated by the highs of shared performance, with a reflective edge that resonates long after the music fades. - “Upgrayedd” – Snailtooth
Slow and relentless, “Upgrayedd” marks a new era for Snailtooth with a crushingly heavy sound. This track is a sludgy anthem of resilience and forward motion, celebrating the band’s evolution and dedication to pushing boundaries in doom metal. With thick riffs and a powerful energy, it captures a triumphant “Snailtooth 3.0” mindset. - “Slave to it All” – Generation Why
“Slave to All” is a hardcore anthem ripping into society’s addiction to distraction, blending relentless powerviolence riffs with brutal breakdowns and raw screams. Lyrics like “Chain me up, poison me, fill my head” confront how modern conveniences turn us into passive participants, ensnaring us with empty promises. With its aggressive tempo and furious energy, the track is a call to break free from the grip of social media, consumer culture, and the soul-draining chase for validation, urging listeners to reclaim genuine purpose.
- “Little Black Plastic Bag” – Peanut Butter Music
is a swinging jazz track from the perspective of an all-knowing entity, observing the secrets of others. With a repetitive, unrhyming verse, it reflects on the erosion of privacy in modern life, highlighting how much is visible to the watchful eye. Inspired by a world where our actions are increasingly scrutinized, the track ends with a benediction of self-realization, urging listeners to embrace the truth in an age of constant observation.